![]() Lightworks supports MXF, Quicktime and AVI containers, along with a wide range of codecs, including ProRes, Avid DNxHD, AVC-Intra, DVCPRO HD, RED R3D, DPX, H.264 and XDCAM EX/HD 422. Since many studio facilities are Mac-based, the development of the Mac version will once again make Lightworks competitive within the industry. In addition to using the system on Law and Order, Hill has edited feature films on Lightworks, including Zookeeper and Bruce Almighty.ĮditShare’s cross-platform Lightworks editing software is available for Windows, Linux and Mac. Since her transition to non-linear editing, Schoonmaker has edited all of director Martin Scorsese‘s films on Lightworks including the Oscar-winning Hugo. An editor can be up and editing within a day without having to learn keyboard shortcuts or application menus.Īnd for those who want a more computer-based experience, Lightworks has developed a dedicated keyboard with an ergonomically designed layout for optimal use.Īlthough Lightworks may have receded from the NLE dialog in the past decade, editors such as Thelma Schoonmaker, ACE and Scott Hill have been using the platform. Based on a flatbed film editor, the console consolidates all primary editing functions into its interface and offers tactile, intuitive editing. Because of this tool, Lightworks became the darling of many film editors when it first appeared on the feature film and television scenes in the early 1990s. Since 1989, Lightworks has had a patented hardware console at the heart of its editing system. The Lightworks philosophy is based on the simple idea that the editor, not the computer industry, knows what’s best. Avid and Adobe Premiere have been working hard to fill that gap, but with the NAB preview of the highly-anticipated MAC version of EditShare’s Lightworks, another strong contender has stepped up. Lightworks is the only NLE available to offer multi-channel ingest, with support for synchronised capture, making it ideal for advanced 3D Stereoscopic projects.With the disillusionment of professional editors in Apple editing software after the introduction of FCP X, there has been a void in the NLE landscape. Instant Save technology ensures you’ll never lose your work again.įull-screen video output through a DVI-attached LCD display, with support up to 2K Full Frame, offering an inexpensive monitoring option, with no need for SDI hardware. ![]() The most advanced Project Sharing capabilities available, allowing editors to access each others’ work with the click of a button. Sub-frame audio editing, direct-to-timeline voice over tool, Mackie protocol support, real time playback of mixed sample and bit rates, and guaranteed real time multi-track audio. Real time video and audio effects, including primary and selective colour correction, are all guaranteed in resolutions up to 2K, thanks to Lightworks powerful GPU based effects engine. Support for Adobe After Effects, Boris, Combustion, Sapphire and many more. Real-time up and down-scaling, from SD to 2K.Īdvanced multi-cam editing with unlimited sources and dual-SDI outputs, so you can simultaneously view your source angles in sync with your edit. This new workflow enables Lightworks artists to collaboratively edit projects with a much wider group of editors.ĪVI, QuickTime, MXF, DPX and RED R3D, DV, DVCPRO 50, DVCPRO HD, XDCAM HD, XDCAM EX, P2, AVC Intra, DNxHD, ProRes. With wide support for codecs, including EditShare’s Universal Media Files, Lightworks achieves a level of unsurpassed interoperability by offering seamless media sharing with Avid and Final Cut Pro. Used by editors such as Chris Gill and multi Oscar-winning Thelma Schoonmaker, Lightworks offers intuitive controls, advanced real time effects, 2K native support with DPX or RED, and multi-camera editing features that remain unmatched. ![]() Academy® and Emmy® award-winning Lightworks was introduced in 1989 as the first and most advanced non-linear editing system on the market.
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